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Showing posts with label conceptual arts. Show all posts
Showing posts with label conceptual arts. Show all posts

Wednesday, August 8, 2012

Franz Kline


 
Franz Kline
Franz Jozef Kline was an American painter mainly associated with the Abstract Expressionist movement centered around New York in the 1940s and 1950s. Wikipedia







FRANZ KLINE QUOTES

"If you're a painter, you're not alone. There's no way to be alone."

"The nature of anguish is translated into different forms."

"You instinctively like what you can't do."

"It's a wonderful thing to be in love with The Square."

"You paint the way you have to in order to give. That's life itself, and someone will look and say it is the product of knowing, but it has nothing to do with knowing, it has to do with giving."

"I paint the white as well as the black, and the white is just as important."









Franz Kline is most famous for his black and white abstractions, which have been likened variously to New York's cityscape, the landscape of his childhood home in rural Pennsylvania, and Japanese calligraphy.
The poet and curator Frank O'Hara saw Kline as the quintessential 'action painter', and Kline's black and white paintings certainly helped establish gestural abstraction as an important tendency within Abstract Expressionism. Yet Kline saw his method less as a means to express himself than as a way to create a physical engagement with the viewer.
The powerful forms of his motifs, and their impression of velocity, were intended to translate into an experience of structure and presence which the viewer could almost palpably feel.
Kline's reluctance to attribute hidden meanings to his pictures was important in recommending his work to a later generation of Minimalist sculptors such as Donald Juddand Richard Serra.


American Abstract Expressionist Franz Kline is best known for large black and white paintings bearing abstract motifs set down with strident confidence. He started out as a realist with a fluent style that he perfected during an academic training that encouraged him to admire Old Masters such as Rembrandt. But after settling in New York and meetingWillem de Kooning, he began to evolve his signature abstract approach. By the end of his life he had achieved immense international recognition, and his unusual approach to gestural abstraction was beginning to influence the ideas of many Minimalists.

Monday, August 6, 2012

Man Ray


Man Ray
Man Ray was an American modernist artist who spent most of his career in Paris, France. He was a significant contributor to the Dada and Surrealist movements, although his ties to each were informal. Wikipedia
BornAugust 27, 1890, Philadelphia
DiedNovember 18, 1976, Paris
PeriodsDada, Surrealism

Man Ray (1890-1976)

An American artist, photographer and filmmaker, Ray took part in New York Dada, before moving to Paris in 1921. Inspired by Duchamp's "ready mades", he created numerous objects, includingThe Enigma of Isadore Ducasse (1920; a sewing machine covered in cloth and twine), Gift (1921; a flatiron with metal tacks attached to its bottom) and Object To Be Destroyed (1923; a metronome with a picture of an eye on it's pendulum). Perhaps best known for his photography, Ray took portraits of many prominent artists and writers of the era, while also exploring more avant-garde techniques with his camera. His series of "rayographs" feature shadowy images, created by placing objects directly onto the surface of photographic paper, then exposing them to light. His Violon d'Ingres (1924) captures the back and buttocks of a nude woman (Kiki de Montparnasse), with the f holes from a violin printed onto the picture, thus transforming the female body into a musical instrument. Other memorable photos include Black and White (1926),Woman With Flowing Hair (1930) and Tears (1930).
































A participant in numerous Surrealist exhibitions, Ray emerged as one of the movement's key figures. He directed several experimental films, such as Le Retour á la Raison (1923), Emak-Bakia (1926) andL'Étoile de Mer (1928), as well as appeared onscreen in Rene Clair'sEntr'acte (1924). In addition to his work with a camera, Ray created many paintings and drawings. Observatory Time - The Lovers (1932-34), is perhaps his most celebrated canvas, depicting a giant pair of lips, floating in the sky. Another important work, Imaginary Portrait of D.A.F. de Sade (1938), portrays the infamous French writer as a stone figure, overlooking the Bastille, engulfed in flames. Among Ray's other notable paintings are The Fortune (1938), Picture Puzzle(1938) and Le Beau Temps (1939).

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